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African American-owned media have played
an important role in Winston-Salem's history. WAAA, the state's
first black radio station began broadcasting in 1950, and the Winston-Salem
Chronicle, a weekly newspaper serving the city's black residents,
began publishing in 1972.
Lawrence Joel Veterans
Memorial Coliseum, named after Winston-Salem's only Congressional
Medal of Honor recipient, opened in 1989. Joel, who grew up in East
Winston, was cited for conspicuous gallantry in 1965 when his division
was ambushed by 700 Viet Cong. He distinguished himself as a medic
by saving the lives of at least 13 men. President Johnson awarded
him the medal in 1967.
Winston-Salem has long had a reputation as a city of the arts.
The
Arts
Council of Winston-Salem Forsyth County, the first of its
kind in the country, is now one of only a handful of arts councils
across the
nation that raises more than $1 million a year. That revenue supports
several local arts organizations including the North
Carolina Black Repertory Company, a nonprofit organization
committed to sustaining and developing black theatre around
the world. In
1999, the Black Repertory Company celebrated the 10th anniversary
of the National
Black Theatre Festival in Winston-Salem. The festival,
produced every other year, brings together playwrights, actors
and performance
artists to stage new and established works by African Americans
at sites around the city. In addition to the week-long schedule
of events and performances, the company presents workshops and
seminars for professionals, a youth/celebrity project for children
and teens,
a reader's theatre and an international vendor's market

Delta
Arts Center
336.722.2625, 1511 E. Third Street
(new address in 2004: 2611 New
Walkertown Road)
The city's oldest African American, nonprofit, cultural and
educational organization, established in 1972, is dedicated to
encouraging individual creativity and stimulating community pride
in American
arts and humanities. To this end, the center offers multi-disciplinary
classes and workshops to the public throughout the year, as well
as a number of exciting events and exhibitions that promote contributions
of African Americans to the arts. Two 30-feet high murals, "Origins"
and "Ascension," by John Biggers were commissioned by Winston-Salem
Delta Fine Arts, Inc.
and are on display at O'Kelly Library at Winston-Salem
State University.

Diggs
Gallery
336.750.2458, Winston-Salem State University (WSSU), 601 Martin
Luther King, Jr. Drive
Discover Winston-Salem's rich African
and African American heritage in the
collection of paintings, sculpture and
decorative arts at WSSU's Diggs Gallery,
named for James T. Diggs, Jr.,
graduate of Teachers College and chairman of WSSU's art department.
Annually, the gallery presents 10-15
exhibitions in its 6,500 square-foot
space and hosts educational programs
in a number of disciplines. Call for
information, gallery hours or to schedule a tour.

Triad City Tours
Connie Smith, 336.788.9095 or 336.785.1854
The "Black Heritage Tour of Winston-Salem"
is custom-tailored for any group. Take
the Safe Bus Co. route along Martin Luther
King,
Jr. Drive and learn about life in old East Winston neighborhoods,
such as Happy Hill, Reynoldstown and
Columbian Heights. Visit historic
sites like St. Philips Church in Old Salem, Winston-Salem Teachers
College and the homes of Simon Green
Atkins and George Black. Venture
beyond the city on a specially arranged "Touch the
Triad Tour." The schedule is seasonal, so tour reservations
are recommended. Pick-up and return to the Winston-Salem Visitor
Center and area hotels are free.

Winston-Salem
State University Sculpture Garden
More than 20 years ago a dream of a sculpture
garden developed from the rubble of
an old auditorium. Plans for the garden were suggested
to Chancellor Kenneth R. Williams and Gordon Hanes, a former trustee.
The Hanes Foundation provided landscaping
for the project, and in
1981, the first sculpture, "Southern Sunrise" by Melvin Edwards
(b. 1937, Texas), was chosen from among
entries in a national competition
funded by the Hanes Foundation and juried by the university.
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